marcin
(Marcin)
#1
only able to impose an original and
acceptable form when they become cutting
and mocking.
To find some kind of poetic certainty
again, not devoid of energy and quality, one
has to wait for the first compositions by Gigi
Zanazzo, who is directly connected to Belli’s
vein (perhaps without neglecting even
Ferretti’s and Chiappini’s experiences) and
from it he draws the inspiration to capture
the small realities of everyday Roman world.
Zanazzo understands the necessity of going
beyond Belli while starting with him, and to
explore the spaces left empty or unexpressed
by his great predecessor. His expressive
energy is thus enhanced by it, because it
doesn’t adjust easily to the meter of
imitation and it must therefore follow a
totally personal groove, making an effort to
find poetic motifs applicable to the