marcin
(Marcin)
#1
conspicuous examples with his collections.
Every poet has felt the need, somewhat
administered on the intellectual level, to
compete with poets in Italian or, as is
frequently the case, with the other side of
themselves which thought in Italian. There
has been, and this is what we are speaking of
most of all, an avant-garde dialect poetry
that was inconceivable before. The
traditional viewpoint tended to reaffirm
tradition, arousing great diffidence in critics
who in the end, until Croce, have considered
dialect poetry inferior to that in Italian. But
the experimental tendency has definitively
won, and not only in the North of Italy, but,
what is more surprising, in the South as
well, where there persists not a longing for
times past as in remote times (those of Basile
and Cortese), but a decided drive towards
experimentation, which can be observed in