marcin
(Marcin)
#1
one be conscious of its cultural content and
its human expressive power. In my
childhood and early youth... I have spoken, I
have collected songs, I have been happy, I
have wept, thought in dialect.
I am not about to maintain the greater
expressive effective¬ness of dialect over the
literary language ─ a commonplace without
merit, because every language has fullness
and effectiveness of forms ─: I am only
saying that the possession of dialect
facilitates the search for forms in effective
attitudes and proper imagery: in sum, it
increases the possibility of giving ─ and this
is for me the vital need of dialect poetry ─
something new to itself and, why not?, to
the literary language (1953).
Cirese will make the poetic significance
o f Lucecabelle (1951) explicit: no longer the
use of dialect in the sense of memory and