marcin
(Marcin)
#1
certain recent cases, from Pierro to Maffia,
from Cirese to Buttitta, from Viviani to Gatti.
No doubt the more interesting among the
poets mentioned are those who, instead of
repeating the Nineteenth-Century models,
adapt with exceptional results to the most
advanced methods. This is noticeable above
all in Neapolitan poetry and the poetry from
Lucania to Calabria, giving rise to curious
motivations of a philological nature, but
often of a more markedly sentimental
introspection. As if, after abandoning one's
real town, perhaps with some sadness, one
were to choose an ideal place where even
neologisms can coincide with surviving
retentions. In any case, the singular aspect
offered by the whole landscape of Southern
poetry in dialect today has more to do with
the author's individual experience than with
rules common to all speakers. If in place of a