marcin
(Marcin)
#1
designate Twentieth-Century textuality.
The first, tied to popularity (often also
taken in its more restrictive meaning),
presupposed at times attitudes of almost
automatic immersion in it (with more than a
few concessions to folkloric and descriptive
data, with the consequence that attention to
“speech” produced typically vernacular
results); at other times, the tendency toward
the detachment typical of middle-class
writers, who tended to elaborate somewhat
moralistically, often giving voice to the
people, the traces provided by reality, or to
ideologize them, certainly not without
risking obvious strains. The second line led
to the preferential selection of consolidated
literary canons in their age-old traditions,
which seemed to guarantee a sort of
dependable grammar, maybe with a
watchful eye as well to behaviors defined by