marcin
(Marcin)
#1
work of the younger Lino Angiuli, born after
the Second World War. His is no longer the
difficult recovery of a disappearing tradition,
of something forgotten; it is instead a
mutilated and intermittent language,
wedded to a sometimes harsh and bitter
irony that knows it can avail itself of only
the shreds of a transfigured people.
More diversified appears to be the dialect
landscape of the Capitanata. The intimist
generation of Filippino M. Pugliese,
Giovanni De Cristofaro and Alfredo Petrucci
(with the exception of a satirist such as
Saverio Napolitano in the middle of the
Nineteenth Century) also includes a
noteworthy poet like Giacomo Strizzi, keen
and delicate painter of his small rural world.
But there are other surprises. The ironic and
satirical vein of Enrico Venditti, the “dark
and melancholy” muse (Dell’Aquila) of Gino