marcin
(Marcin)
#1
Campania, Sicily...), working on the
“poetics,” it produced elitist results (Trilussa,
Di Giacomo, Buttitta...) which could be
somehow assimilated, through the levels
achieved, to those attained more or less
simultaneously by Italian poetry, albeit with
more narrowly defined themes.
In this sense, the role played by certain
exemplary lessons (from the more recent
Belli, Trilussa, Di Giacomo, Russo, to the
more distant Berneri, Basile, Cortese, Meli,
Tempio) seemed very significant; and not
only in the respective regions, but also in the
broad context of poetic dialectality, for the
grammatical canons it provided and the
guarantee of a thematic tradition. Along
with these, when interest turned
simultaneously to poetry in Italian, at times
particular insights were to be found, in a
more diffuse manner, in “small things” and