marcin
(Marcin)
#1
necessary linguistic ferment to which poetry
has always entrusted its very nature.
Only in the aftermath of W.W. II, and to
a large degree thanks to the influence
exerted by Pasolini's specific lesson (but
perhaps, more indirectly, Gadda's as well), a
different attitude in favor of dialects was
beginning to emerge, even in the South.
They were gradually being seen as flexible
codes capable of being exploited for the sake
of poetry, rather than as primary signifiers
tied to the experience of reality. The first to
sense this were poets who, abandoning
common language, affected too deeply by
the levelling contamination of consumerism
(Pierro), but also very resistant to the
artificial sophistication of neoavant-garde
ideological operations on insignificance,
turned to a sort of almost archetypical
language, a mental language rather than