marcin
(Marcin)
#1
The widespread practice of linguistic
creativity has shown that the poet's essential
need to render his inner discourse through a
language as much as possible “jealously
private,” “endophasic,”^9 can now be met by
dialectal languages, mature to the extent of
overcoming the risks of folkloric and
neonaturalistic relapses, as well as
neodecadent and romantic reversions.
The fact that characterizes the more
recent generations of poets in dialect springs
directly from these sources and is
emblematized in the search for an
expression which is as much as possible
original and makes it possible, at the same
time, to deal with even extremely modern
themes. Substantially, they have not allowed
themselves to be affected by the progressive
loss of “speakers” that has characterized the
course of dialect during the levelling