marcin
(Marcin)
#1
onslaught of the media, because they have
never looked to those speakers as their
readers.
More and more the audience of poetry,
in an era of planetary circulation of culture,
tends to be defined, in fact, by new
categories, not bound by regional or national
specificities, to the extent that the thematics
itself is affected, as it is increasingly forced to
identify universal values in the particulars.
Dialect becomes a “precious,” “refined”
instrument because it is a purer refuge for
the poetic word absolutely longing for
essentiality.^10
In such a way, the languages “of nature”
offer themselves to arduous “philology,”
developed on a textuality traditionally very
alien to them, and represent themselves
tendentially as rediscovered languages “of
culture,” flexible enough to become the