marcin
(Marcin)
#1
Flowers]; Ettore d’Orazio (1860-1931), from
Villetta Barrea, author of a considerable
output, from which only four sonnets have
survived, with the explanatory title La
disgrazia di Paulantonie o puramente U
carcerate ‘nnucente; Giovanni de Paulis (1861-
1959), from Paganica, well known as painter
and sculptor, who, in a collection of forty-
one sonnets, marked by a plain and incisive
style, recounts the misadventures of a poor
“emigrant” farmer who “returns from
Argentina”; finally, Gabriele D’Annunzio
(1863-1938), the “Immagi-nifico,” who did
not disdain, all taken as he was by the
cultivation of high style, to tackle a dozen
dialect compositions, all tied to an occasion
and playful in tone, among which we would
mention the quatrains on the Pescara
“parrozzo” [type of pastry] (“To Luigino
D’Amiche”) and the “pork sonnet” (“To