marcin
(Marcin)
#1
“a certain inten- tional verbal aristocracy.” It
is not by chance that Pasolini includes him in
his anthology, along with De Titta and
Clemente.
At the beginning of the Twentieth
Century, a similar course is followed by
Cesare De Titta (1862-1933), relying on his
own devices. Born in Sant’Eusanio del
Sangro (Chieti), humanist and philologist of
great learning, he went through an
extraordinary experience of poetry in Italian
and Latin, and comes to dialect poetry in his
later years, but just the same leaving the
mark of an uncommon presence: from
Canzoni abruzzesi [Songs of Abruzzi] (1919)
to Nuove canzoni abruzzesi (1923), to Gente
d’Abruzzo [People of Abruzzi] (1923), to
Terra d’ore [Golden Land] (1925), within the
span of barely five years De Titta crosses all
the stages one normally crosses in a lifetime.