marcin
(Marcin)
#1
paese [People and Things of the Town], 1975
to Lu cunforte [Comfort], 1980, is able to
demonstrate how one can write new poetry
without resorting to “linguistic archeology”;
finally, Vito Moretti (S. Vito Chietino), the
youngest of all, who from N’andica degnetà
de fije [Ancient Filial Dignity], 1985 to La
vuluntà e li jurne [Will and Days], 1986 and
Déndre a na storie [Within a Story], 1988,
follows a personal notion of “pure poetry,”
with a very controlled style, not far removed
from a certain return to Hermeticism in
recent times.
The landscape of dialect poetry from
Abruzzi in the Twentieth century would be
seriously lacking if, along with the tendency
for the search for pure poetry, we didn’t also
point out other aspects and trends, minor
perhaps, but not less interesting for the
continuity of tradition. Throughout the