marcin
(Marcin)
#1
W.W.II, after an attempt at mixed languages
(“Francesco da Paola,” 1936), but it was not
enough to free him from a certain late-
naturalistic conditioning. Already
discovered by Pasolini, Giunta can be
considered little more than a provincial
follower of D’Annunzio and the
crepuscolari, who was nevertheless able to
stay away from the widespread imitation of
Pascoli in the region, alternating invectives
and melancholy in tones at times descriptive
and at times sententious.
Social aims can be also found in the
dialect poetry of Napoleone Vitale di Bova
(Asprumunti, Calabria), and above all in that
(Canzuni vecchi e canzuni novi) [Old Songs
and New Songs], 1931 of Giovanni De Nava
(Reggio C., 1873-1941) who, allured by
Mussolini’s social program, from a vaguely
romantic socialism he embraced Fascism. In