marcin
(Marcin)
#1
and U Ddìje puvirìlle^6 [The Poor God] Maria
crowns his inquiry. They attest an
anthropomorphic idea of poetry, sought in
the long dialogue with Baudelaire, pursued
in the footsteps of returning Homer,
investigated in the flesh and blood of his
own and other people’s everyday existence,
stripped in memory, exalted in the word
sparsely arranged in the text because of the
ever present fear of misdecoding. The poet
Maffia has turned many of his cards face up.
The event appears as an instrument capable
of setting off the new language in order to
repossess autonomously archetypal signifiers
deposited in vernacular speech, reinvent
them as sounds and insert them in contexts
capable of modernizing the old signs,
expanding their expressive potential. An
event that tends to signify itself almost as
legend in history, through personal