marcin
(Marcin)
#1
and i will die”). The event tends to take on
connotations of infinity in the cyclical
recurrence of experience, which is
individual, but always tends to be affected
by the destiny of man sentenced to an
endless journey of enrichment.
Maffia attests (maybe for a whole
generation, and not only for Calabria) how
poetry can renew starting from itself, from
the point where transparency was still
essential, and peculiar senses were entrusted
to verbal signs. “Permanent education,”
then, according to the title of a collection of
poetry, as an unstoppa-ble process of growth
in history, but also as a maturation of critical
faculty, of selection and judgment that
allows one to approach with confidence the
instrument (the utterable word) that appears
more susceptible to expressiveness.
Closer to this type of linguistic and