Sweden
and constructed dry wall of two different kinds of
Swedish granite. These have a robust character,
with a rough surface marked by the wedges of
the stone craftsmen, open joints and small wedge
stones, inserted as stabilisers for the whole con-
struction. This is an example of best practice in
traditional stonework. The coping of wall consists
of turfs of Sedum, but these have proved hard to
establish.
The Balconies
The Balconies are intended to be pieces of cabinet
making, like ‘cigar boxes pushed into the slope’.^7
The design is a contribution by architect Anders
Lidström. They are placed in the eastern part of the
park, in the slope from the Lawn up to the gravelled
walk. They are elevated approximately 1m above
the level of the Lawn. You enter the Balcony by
climbing a few steps from the walk. As with the
Scouts, this small elevation reinforces the form and
identity of the element.
The construction consists of a platform of concrete
sitting on concrete columns upon a cast concrete
foundation. On top of the concrete platform lies a
wooden decking of azobe. The enclosing walls do
not have a supporting function, and would more
correctly be described as an embracing fence. The
outside covering of wood is like a façade covering
the supporting structure.
The framing fence, height about 1.1m, is covered
on the inside with horizontal wooden laths. On the
outside the covering is made of small, thin pieces
of wood, like a traditional spåntak or chip roof. The
chips are tarred, giving a dim black impression that
at the same time is impregnating and protective
to the wood. The façade facing the lawn is slightly
tilted like the outside façades of the Node. On this
side there is also an opening in the fence, like a
peephole to the park and the sea. In the opening
there is a grid made of circular steel, following the
tilt of the fence. The fence has a coping lath of teak
with carefully rounded edges. The lath is screwed
on to steel sheets, that are fixed to brackets on the
fence posts. The outside façade is illuminated dur-
ing the hours of darkness by lighting fittings hidden
under the coping lath of wood.
At the entrance to the Balcony is a tree, which gives
the impression of being planted in a box, though
actually it has a pit in the slope below.
8.17
Face of the wall
8.18
Surface of the in-situ cast concrete paving
8.19
Photo of the scale model of a balcony