Historical Painting Techniques, Materials, and Studio Practice
Abstract Through extensive study of Ver meer's paintings, the author demon strates that the artist must have used a chalk line ...
artist like Vermeer had to use all his ingenuity ... to achieve ... ," Swill ens published his first detailed study of the paint ...
150 Based on intensive studies of various means used to create" church portraits," de Boer concluded in 1988 that optical device ...
Figure 1. Perspective drawing of Vermeer's Glass of Wine, 1658-1660. the painter draws the string up a little from the surface, ...
152 Figure 3. Perspective drawing of Ve rmeer's A Lady Seated at the Virginals, 1673-1675. likely because it would imply doing u ...
Hague, 1996). The author is also grateful to Rob Ruurs of the University of Am sterdam for a fruitful and stimulating discussio ...
154 Herzog Anton Ulrick-Museum, Braunschweig. Staatliche Museen zu Berlin, Preul3ischer Kulturbesitz, Gemaldegalerie, Berlin- D ...
Abstract The paper presents some results of research on the painting materials and methods used in Latvian churches in the seven ...
Figure 3. Cross section if paint sample from part if the flesh color on a sculpture in the Nurmuizha church. The layers are as f ...
Summary We can conclude after this preliminary investigation that many differences between the two pulpits are present, although ...
Abstract The shift in the nineteenth century from a tradition of artist-prepared materials to an industry of mass-pro duced com ...
Figure 2. William Holman Hunt sculpting a model of Christ's head to aid him in the painting <if The Light of the World, ca. 1 ...
Figure 5. Wi lliam Holman Hunt, Self-Por trait, 1875. Courtesy of the Ujfi zi Gallery, Florence, Italy. Note the length of the ...
complaints, have been strictly adhered to. The workmen, too, in these shops are not permanent, and there is virtually no respons ...
Figure 7. William Holman Hunt, Valen tine Rescuing Sylvia from Proteus (Two Gentlemen of Verona), 1851. Courtesy if the Birming ...
F(gure 8. Illfrared rriflectograph of the hal1dwritten notatioll under the paint layer il1 the upper right corner of The Miracle ...
164 paintings techniques of the past masters, rather than the fa ddish disregard fo r tradition prevalent among his contemporari ...
Hunt, W. H. 1905-1906. Pre-Raphaelitism and the Pre-Raphaelite Brotherhood. Lon don: Macmillan & Co., (1):276. Hunt, W H. ...
Abstract The production of a painting in ear ly nineteenth-century France fol lowed a clearly defined sequence of steps. After ...
Figure 1. The Execution of Lady Jane Grey, af ter cleanirlg a/1d before restoration. mer student, the use of similar "boxes" to ...
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