Historical Painting Techniques, Materials, and Studio Practice
Abstract Primary sources can be extremely valuable for the study of historical painting techniques, materials, and studio practi ...
it also includes instructions fo r composition, the build-up of a miniature from a pencil drawing up to the final execution in p ...
Figure 1. Detail from the Battle of San Fa biano, illustrated in Plate 7a, showing the center scene where the sketchy underdraw ...
Ricordi di belli colori Initially it seemed reasonable to assume that the Rome manuscript was writ ter. Sy Mariani as a draft v ...
Figure 3. Gherardo Cibo, "Hell/ionite, " from Herbarium (MS ADD 22332 ), fo l. 143r, ca. 1570. Courtesy of the British Library. ...
Figure 4. Gherardo Cibo, "Fusaina [. .. J nocella qui chiamata a Roccha C [ontrada J, " Herbarium, (MS ADD 22332), Jo l. 183v. C ...
54 as an intermediary between the duke and the workshops. Maestro Giovanne Fiamengo and the Pittore da ForIi both appear in the ...
The treatise is typical fo r the late sixteenth and early seventeenth century in describing the techniques fo r the execution of ...
56 necessario di fare che di haver 10 esempio delle machie perche si potra fare qui una machia che volendola usar simile 0 sara ...
Filza CXLIII, fols. 1122r, 1125v, 1129v, 1133r; and Biblioteca Oliveriana, Pesaro (MS 375), vol. XXIV, fols. 227v, 212r, 207r, 1 ...
Abstract The problems of interpretation of written sources on painting tech nique are well known. Through loss of the technical ...
that is, plaster of Paris, which has been purified and sifted like flour" (8, 9). The Swedish translation says: "Tag sedan grovg ...
60 70 60 50 40 a 3500 3000 Transmittance I Wavenumber (cm-1) 80 b 3500 3000 Transmittance I Wavenumber (em-1) 60 40 2 c 3500 II ...
100 80 60 40 a 3500 30.00 2500 2000 1500 1000 500 Transmittance J Wavenumber (cm-1) 20 b 3500 3000 2500 2000 1500 1000 500 Trans ...
62 poured off each time; such a process is actually a washing process. Water soluble impurities, such as salts, possibly presen ...
process described by Cennini fo r gesso sottile as furnishing the best ground fo r gilding (29). In fa ct, Cennini describes in ...
64 The fifty paintings examined by the authors reveal a clear trend. Paintings belonging to the Florentine and Sienese schools ...
Abstract The frequent use of verdigris in paintings from the early Gothic period to the eighteenth century is reflected by the c ...
66 Why have some green paint layers of verdigris and copper resinate turned brown while others remained intact? After a search t ...
strating that spreading this glaze thinly in several layers is not merely a matter of style but also a technical necessity. The ...
«
1
2
3
4
5
6
7
8
9
10
»
Free download pdf