Historical Painting Techniques, Materials, and Studio Practice
108 of this, a lead white undercoat provides a tough resistant layer, often also used to enhance the colored layer above, which ...
sheltered eye on the southernmost carved head in the porch at Salisbury, remarkably similar in style to that fo und on one of th ...
110 The Accounts of the Fabric of Exeter Cathedral, 127 9-1353. 1981. Part I, 1279- 1326. Ed. A. Erskine. Devon and Cornwall Re ...
Abstract Extensive examination of Andrea Mantegna's Adoration of the Magi at the J. Paul Getty Museum reveals Mantegna's unusual ...
FIgure 2. Dierie Bouts, The Annunciation. Distemper on linen, 90 X 74.5 em. The]. Paul Getty Museum, Malibu (85.PA.24). 112 Figu ...
create surface gloss and could be viewed in subdued light was ideal. Of all the techniques, only fresco and distemper have these ...
114 On cloth and sindone it is more necessary that this colour should be layd on twice, wile tempered with size, bi f ore it is ...
Figure 3. Andrea Mantegl1a, The Presentation in the Temple. Origil1al strailler with panel inserts seen fr om fr ont, 68. 9 X 86 ...
116 Elam, C. 1982. The Splendours oj the Gonzaga. Catalog. London: Victoria & Albert Museum, 122, entry no. 32. Lightbown, ...
Abstract In September 1992 the J Paul Getty Museum acquired Titian's VertUS and Adonis, which is considered to be one of the few ...
118 to prevent Adonis from leaving for the hunt, is considered one of the few of Titian's autograph paintings on the subject (Pl ...
arrow in Adonis's right hand ends at the edge of the painting. The loss may be estimated at 5-9 cm. On the basis of a comparison ...
120 60 55 50 "! .... ,... '" N ..; ,.: �^0 :;!; '" � '000 , , , , , IT^3600 3200 2800 2000 Wavenumber raoo^1600 (cm-1 ) "00^1200 ...
For the early works are executed with a certain finesse and an incredible diligence, so that they can be seen from close as well ...
122 ;�Dr�� -�I �D'Ld�D�t �D wa�t�' __ -' r- ,, __ '-'-, !:; t-.. TitiabaIt n YlIOIllow .pot Adoni. on 80/51" tcrg8t. 50kV. 3. 3 ...
J Figure 3. Fluorescence spectrul1'l of red lake pigment on shirt of Adonis. Quantum yields at A em 445 nl1'l to A ex 397 nm and ...
Figure 5. X-radiograph if Venus and Adonis, showing Titian's use of lead-white based highlights. 124 Titian r&d 91 aZI!;! o ...
This property was deliberately used in the making of copper resinates. These are complex compositions of copper salts with vario ...
126 Gettens, R.]., and M. E. Mrose. 1954. Calcium sulphate minerals in the grounds of Italian paintings. Studies in Conservatio ...
Abstract The St. Anne Altarpiece (National Gallery of Art, Washington, Widener Collection) is the largest work at tributed to t ...
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