Historical Painting Techniques, Materials, and Studio Practice
128 Figure 2. Infrared rriflectogram assembly if the cherub standing 01'/ the throlle (lift side, area if rriflecto gram: 23 X ...
Figure 3. Infrared reJlectogram assembly of the Virgin's head (area of reJlectogram: 23 X 17 em). Type II underdrawing character ...
130 Figure 4. Infrared niffectogram assembly of part of St. Anne's red drapery (a rea of riflectogram: 24 X 21 em). Type III und ...
Figure 5. Irifra red ni flectogram assembly of the Virgin 's sleeve, showing the "correction" layer which appears as dotted line ...
132 there is a lead-white underpaint or imprimatura. X-radiographs of the central panel show a similar vigorous, striated, and r ...
fo llowed by modeling layers and glazes, with the addition of new drawing as guidelines-would have lent itself to the participat ...
134 Brinkman, P W. E, L. Kockaert, L. Maes, L. Masschelein-Kleiner, E Robaszynski, and E. Thielen. 19 84. Het lam Godsretabel v ...
Abstract Based on extensive information from cross sections and infrared reflectog raphy, this paper presents some as pects of ...
136 Figure 1. Jan van Scoref, Baptism of Christ, ca. 1527-1530. Photograph by M. Faries (after Dingjan), courtesy of Frans Hafsm ...
o. (Vv.. 1 -.< 2. Figure 2. Cross section fro m Baptism with measurements in microns: layer 1, traces of the intermediate whi ...
Figure 4. Infrared reflectogram detail if Lamentation, showing the dark undermodel il1g strokes if Nicodemus's turbal1 in the u ...
The key position of Lamentation in this proposed development is obvious, fo r it encapsulates both painting methods. Generally, ...
Abstract In the 1620s, a generation of Dutch landscape artists began to work in a naturalistic mode very different from that of ...
Figure 1. Wo rkshop of Ja n Bruegel, Noah's Ark. Panel, 65. 4 X 94.5 em. The Wa lters Art Gallery, Baltimore (3 7. 1998). space ...
Figure 2. Roelandt Savery, Landscape with Animals and Figures, signed and dated 1624. Panel, 54.6 X 91.4 cm. Na tional Gallery i ...
Figure 3. Camelis Vroom, Landscape with a River by a Wood, signed and dated 1626. Pa nel, 31.3 X 44.2 em. Na tional Gallery, Lon ...
Figure 4. Esaias van de Ve lde, Winter Landscape, signed and dated 1623. Panel, 25. 9 X 30.4 em. Th e Na tional Gallery, London ...
Figure 5. Infrared photograph of Esaias van de Ve lde's Winter Landscape. National Gallery, London (6269). broad areas of the cO ...
Figure 6. Jan van Coym, View of Dordrecht from the Dordtse Kil, sigrled and dated 1644. Panel, 64. 7 X 95. 9 eln. Na tional Call ...
at the beginning of the seventeenth century, naturalistic landscape painters must have shared with their fellow citizens a newly ...
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