Historical Painting Techniques, Materials, and Studio Practice

(Steven Felgate) #1

  1. Merimee,J.-F.-L. 1830. De la peinture a I'lwile [etc.]. Paris: Mme. Huzard (facsimjle
    reprint, Puteaux: Erec, 1981), 70-71.

  2. Paillot de Montabert, op. ci t., 258-71; see also Merimee, op. cit., 144-65.

  3. Bomford, D., J. Kirby, J. Leighton, and A. Roy. 1990. Art in the Making: Impres­
    sionism, London: National Gallery and New Haven: Yale University Press, 117,



  4. Mirecourt, op. cit., 24.

  5. Ingamells, op. cit., 99-100 (no. P276), 103-104 (no. P300).

  6. Knight, V 1986. The Works of Art of the Corporation of London: A Catalogue of
    Paintings, Watercolours, Drawillgs, Prints alld Sculpture. Cambridge: Woodhead­
    Faulkner, 72 (no. 1052).

  7. Godde, op. cit. (note 3), plate 16 and conunentary. The engraving measured 29
    X 36 cm.


Kirby and Roy^175

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