51
B+W
2012). A large scale exhibition
of two photographers in which
the premise was based on the
influence of William Klein
seminal photobook Life is Good &
Good for You in New York (1956)
and the influence this had on
Daido Moriyama who went on
to become a pioneer in Japanese
avant-garde photography and a
prolific photobook maker. During
this exhibition we also hosted a
photobook making event titled
Printing Show, a re-staging of the
1974 exhibition Daido Moriyama
Printing Show where instead of
hanging prints on the gallery wall,
Moriyama installed a photocopy
machine and made individualised
photobooks in real time. So
although Tate is no stranger to
the photobook, Offprint is by far
the largest event we have been
involved with to date.
I
nviting Offprint to London
was very important to Tate
as London has such a vibrant
and growing scene of small
independent publishers, perhaps
more so than any other city in
the world. Also, hosting the
event in a public space like the
Turbine Hall meant that through
the sheer number of visitors to
the museum it was a chance to
introduce the concept of the
photobook to a new audience.
To help with this we invited
the London based independent
publisher Self Publish Be Happy
to run a project space and
series of events throughout the
weekend. The aim of this project
space, curated by SPBH founder
Bruno Ceschel, was to ‘inspire
visitors to make books by playing
Untitled from the series Vertigo, 2014 by Daisuke Yakota.
Untitled from the series Farewell Photography by Daido Moriyama. Untitled from the series Farewell Photograhy by Daido Moriyama.
with different photographic
and printing processes’ and
throughout the weekend they ran
a series of events, workshops and
performances in which visitors
could interact with the medium
of the photobook.
Events included a live
bookmaking performance by
the contemporary Japanese
photographers Daisuke Yakota
and Hiroshi Takizawa who over
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