Basics Design: Design Thinking

(Ben Green) #1

120121


Shape alliteration
Similar shapes can be grouped together to create larger elements. This will help
to balance out a page, especially if other large shapes are used in the design.

Drama
The use of more dynamic, angular shapes, such as Kandinsky’s triangle, can
add drama and interest to a design due to the presence of more acute angles.
Each line of text set in a triangular block, for example, would have a different
length and would contrast starkly with that set in a typical rectangular block.

Using shapes in design
At a macro level, a design can be infused with different shapes to produce
different tensions on the page – different active and passive areas. This will
lead the eye to different areas of a layout, and will alter the positive and
negative space.

Layouts can also be either symmetrical or asymmetrical. This too will influence
shape placement.

Dynamic shapes
Wassily Kandinsky believed the
yellow triangle to be an active
and dynamic form and the blue
circle to be cold and passive.

Symmetrical
A symmetrical spread sees the folio structure
mirror itself to produce a balanced layout.

Asymmetrical
An asymmetrical spread sees the folio structure
repeat to produce a layout weighted to one side.
This is more dynamic than a symmetrical layout.
Design Thinking

Thinking in shapes

MY U
CK

1 2 3 4 5 6 7 8 9 10 OK While every effort has been taken to carry out instruction to customers satisfactionNO RESPONSIBILITY liability will be accepted for errorsCUSTOMERS ARE THEREFORE URGED TO CHECK THOROUGHLY BEFORE
HTS
DALIMHE-DTP^1

Title: Basic Design-Thinking
Client: QPL Size: 160mmx230mm

black text

action
E


m
Free download pdf