Decorative Arts: An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum

(Jeff_L) #1
of Art (New York, 1985), vol. 2, pp. 534-543;
Edith Standen, "The Amours des Dieux: A
Series of Beauvais Tapestries After Boucher,"
Metropolitan Museum of Art Journal19/20
(1986), pp. 63-84, illus. p. 69.


  1. Tapestry, Chancellerie
    Gobelins manufactory, circa 1728-1730
    Woven by Etienne-Claude Le Blond after
    designs by Guy-Louis Vernansal and Claude
    Audran
    Wool and silk
    A fleur-de-lys and G' LE.' BLOND are
    woven in lower right corner.
    Height: 11 ft. 1 in. (338 cm); Width:
    8 ft. 10 V 4 in. (270 cm)
    Accession number 65 .DD.5
    PROVENANCE
    Woven for Germain-Louis Chauvelin,
    marquis de Grosbois and Garde des Sceaux
    (1685-1762); [(?) French and Co., New
    York]; Mortimer L. Schiff, New York
    (sold by his heir John L. Schiff, Christie s,
    London, June 22,1938, lot 74); purchased
    at that sale by J. Paul Getty.
    BIBLIOGRAPHY
    Maurice Fenaille, Etat general des tapisseries
    de h Manufacture des Gobelins (Paris, 1904),
    vol. 3, p. 139; Heinrich Gφbel, Wandteppiche
    (Leipzig, 1923), vol. 2, part 1, pp. 172-173;
    Verlet et al., Chefs d'oeuvre, p. 133, illus.;
    Edith Standen, "Portiere with the Chauvelin
    Arms," European Post-Medieval Tapestries
    and Hangings in the Metropolitan Museum
    of Art (New York, 1985), vol. 1, pp. 361-364.


293


  1. Tapestry, Portiere aux Armes de France
    Gobelins manufactory, circa 1730-1743
    Woven from a cartoon by Pierre-Josse Perrot,
    under the direction of Etienne-Claude
    Le Blond
    Wool and silk
    A fleur-de-lys, the letter G, and part of an L
    [for Le Blond] are woven into the galon of
    the lower right corner.
    Height: 11 ft. 10 in. (355 cm); Width:
    8 ft. 9 in. (262.5 cm)
    Accession number 85 .DD.100
    PROVENANCE
    Richard, 4th Marquess of Hertford, Paris,
    before 1870; by inheritance to Sir Richard
    Wallace, Paris, before 1890; by inheritance
    to Lady Wallace, Paris, 1890; by inheritance
    to Sir John Murray Scott, Paris, 1897; Vic­
    toria, Lady Sackville, Paris, 1912; [M. and
    Mme Jacques Seligmann, Paris (sold in the
    late 1940s)]; [Francois-Gerard Seligmann,
    Paris, 1953]; private collection; [Fra^ois-
    Gιrard Seligmann, Paris, 1985].


EXHIBITIONS
Paris, Union Centrale des Beaux-Arts
Appliques δ l'Industrie, Musιe rιtrospectif
1865, no. 5734; Paris, Exposition d'artfrangais
duXVIIIe siecle, 1916, no. 113., p. 87, illus.
BIBLIOGRAPHY
Maurice Fenaille, Etat general de la Manu­
facture des Gobelins, 1600-1900 (Paris, 1903),
vol. 3, pp. 310-314; Heinrich Gφbel,
Wandteppiche (Leipzig, 1923), vol. 2, part 1,
p. 156; "Acquisitions/1985," GettyMusJ\4
(1986), no. 196, pp. 244-245, illus.; Hand­
book 1991, p. 170, illus.; detail illus. p. 154.

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172 FRENCH TAPESTRIES

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