Digital noise 59
Shutter speed vs. ISO speed
This is a balancing act based on achieving the best balance for
minimizing noise. Joe’s basic rule of thumb is that he always
shoots at the lowest possible ISO setting (in order to minimize
noise) depending on the working conditions. If he has a tripod,
he’ll shoot at long shutter speeds to minimize noise because
digital capture is not subject to exposure or color-balance reci-
procity problems that plague traditional fi lm capture.
Reciprocity refers to the inverse relationship between the inten-
sity and duration of light that determines the correct exposure
of fi lm. During long exposures, fi lm responds much more slowly
than usual, and this affects both the color and the light sensitivity
of fi lm. This is why color fi lm that is “pushed” in the photo lab
to higher ISO settings than what it was designed for sometimes
exhibits a color shift in a certain direction. The fi lm’s light-
sensitive grains must be hit by a certain number of light photons
within a certain time frame in order for the latent image to form.
Breakdown in the linear relationship between aperture and
shutter speed is known as reciprocity failure. Each different fi lm
emulsion has a different response to long exposure. Some fi lms
are susceptible to reciprocity failure and others less so. Some
fi lms that are very light sensitive at normal illumination levels
and normal exposure times lose much of their sensitivity during
long exposure times, and some fi lms that have low ISO ratings
After 40 years of using another
brand (read about it in the fi rst
edition of this book), Barry
recently switched camera systems
to Canon. One of the main reasons
for the switch was Canon’s ability
to produce better-quality image
fi les at higher ISOs with less noise.
Nowadays, he confi dently sets the
camera ISO to 800 and higher
without worrying about image
quality. © 2007 Barry Staver.
example, if the chip’s base area is fi ve times the average, then
light-gathering and light-storage capacities also increase fi ve-
fold. In the extreme case of low-light photography and ISO
ratings of 800 or faster, high signal-to-noise ratios give full-
frame sensors a greater advantage.