THE NEW YORK TIMES BOOK REVIEW 3
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Book Review FEBRUARY 6, 2022
Fiction & Poetry
7 Historical Fiction
Reviewed by Alida Becker
10 JOAN IS OKAY
By Weike Wang
Reviewed by Deesha Philyaw
12 Group Text
“Black Cake,”
by Charmaine Wilkerson
Reviewed by Elisabeth Egan
14 On Poetry
Reviewed by Elisa Gabbert
15 GOLIATH
By Tochi Onyebuchi
Reviewed by Benjamin Markovits
22 The Shortlist
Family Complications
Reviewed by Patrick Nathan
Nonfiction
1 KINGDOM OF CHARACTERS
The Language Revolution That
Made China Modern
By Jing Tsu
Reviewed by Deirdre Mask
1 RED CARPET
Hollywood, China, and the Global
Battle for Cultural Supremacy
By Erich Schwartzel
Reviewed by James Parker
8 AFTERMATH
Life in the Fallout of the Third Reich,
1945-
By Harald Jähner
Reviewed by Peter Fritzsche
9 SEVEN GAMES
A Human History
By Oliver Roeder
Reviewed by Peter Sagal
11 GOD
An Anatomy
By Francesca Stavrakopoulou
Reviewed by Karen Armstrong
13 MOST DOPE
The Extraordinary Life of Mac Miller
By Paul Cantor
Reviewed by Dave Kim
13 HIGH-RISK HOMOSEXUAL
A Memoir
By Edgar Gomez
Reviewed by John Paul Brammer
22 The Shortlist
Family Complications
Reviewed by Patrick Nathan
Children’s Books
18 THE ORIGINAL BAMBI
The Story of a Life in the Forest
By Felix Salten
Illustrated by Alenka Sottler
Reviewed by Bill McKibben
Features
6 By the Book
Jason Reynolds
23 Graphic Review
“White Noise”
By Jason Adam Katzenstein
Etc.
4 Newly Published
5 Letters
19 Best-Seller Lists
19 Editors’ Choice
20 Inside the List
20 Paperback Row
Finally, the Definitive
Biography of One of the Most
Significant 20th Century Artists:
F l o r i n e S t e t t h e i m e r
A V A I L A B L E N O W
“For anyone interested in the messy, exhil-
arating tale of early American modernism,
this is essential reading....It is the definitive
account of one of the era’s great artists.”
Andrew Russeth
“In this remarkable biography, Bloemink
reveals Florine Stettheimer’s determined
feminism, subversive social conscious-
ness, artistic significance and her continu-
ing relevance at a critical time for women
in the art world.”
Linda Nochlin