Index 659Marxism: Benjamin, 218, 258, 457,
458; categories, 215; fetish-
character, 251; and Institute of
Social Research, 132–4; and
Negative Dialectics, 438; second
nature concept, 149; and SPD, 417;
TA’s Marxism, 79–80, 139, 334;
Tillich, 109; working class and
social change, 175
Maupassant, Guy de, 300
Mauss, Heinz, 339, 352
Mautz, Kurt, 141, 332–3
May, Ernst, 101
Mayer, Gustav, 133
Mayer, Hans, 318, 401
media, see journalism; radio;
television
media personality, 373–4
Meiner, Felix, 71
Mendelssohn-Bartholdy, Felix, 14, 15,
38
Mennicke, Carl, 143
Mérimée, Prosper, 5, 7, 9
Merkur, 376, 403, 457, 458
Merleau-Ponty, Maurice, 407
Merriam, Charles Edward, 260
Merseburger, Peter, 355
Merten, Reinhold, 48
Merton, Robert, 372
Merton, Wilhelm, 70
Metzger, Heinz-Klaus, 393, 396, 407
Metzger, Ludwig, 336
Meyerbeer, Giacomo, 11
Miami, 271
Michel, Karl Markus, 409
Miltenberg, 29, 301
Minder, Robert, 407, 431
Minghetti, Lisa, 299–300
Minima Moralia (1951), 62, 72, 163,
169, 171–2, 185, 206–7, 256, 293,
305, 309, 310, 321, 326, 341, 342,
344, 378, 381, 382, 389, 390, 404,
455, 483
Mitscherlich, Alexander, 371, 388,
391, 401, 457
Möbius, Martin, 227
modernity, 152
Mohl, Ernst Theodor, 443
Mohr-Siebeck, 129, 320
Molo, Walter von, 331
Moments Musicaux, 202
Der Monat, 349, 393
Mondadori, Arnoldo, 404
Monet, Claude, 219
Moore, G. E., 193
Morgenroth, Ernst Gustave, 303
Morgenstern, Soma, 92–4, 97, 102,
208–9, 210, 399
Moscow, 134
Mozart, Wolfgang Amadeus, 28, 48,
106, 113, 193, 253, 312
Mühsam, Erich, 75
multi-disciplinary approaches, 374–5
Munich, 75, 79, 475, 484–5
Munich Agreement, 257
Münster, 340–1, 362
Muntzel, Herbert, 184
music: Calvelli-Adorno family, 11;
Darmstadt School, 392; degenerate
music, 227; film music, 313–14, 320;
hit songs, 51, 253; Jewish music,
178; language of music, 392–8; and
Mann’s Doktor Faustus, 314–20;
musique informelle, 397; and Nazis,
178, 184, 200; ‘On the Fetish-
Character of Music’, 259; opera,
409, 463; philosophy of music,
68, 90, 150–5, 161, 172, 198–203,
274–8; popular music, 108–9,
199–200, 246, 251–2, 254; post-war
German musical life, 327; radio
music, 244–54; Second Viennese
School, 43, 87–8, 109, 392;
sociology of music, 155, 448;
TA and Alban Berg, 83–94; TA’s
music criticism, 42, 45–9, 101, 106,
107–9, 110–13; TA’s music studies,
38–9; TA’s musical background,
21, 28, plate 8; TA’s passion, 38;
TA’s post-war routine, 466–7;
TA’s university studies, 69; theory
of aesthetics, 119–31; twelve-tone
technique, 107, 111, 113, 115–18,
172, 275–6, 319, 320, 393; vs.
philosophy, 68, 100–9;
Wiesengrund household, 28
music (TA’s works): avant-garde,
96; choral work, 320; compositions
in Italy, 96; opera project, 162–5,
183; Pieces for String Quartet, 97;