156
> dwelling, residence
> body (human), form character, ground, plane, postures
> courtyard garden
> dwelling, image, theme (architectural)
> concept (architectural), theme (architectural)
> light, opening, window
An image stands for something that is itself absent. With ref-
erence to this customary understanding, two image functions
can be identified in architecture: images that are found in or
on buildings (1), and buildings that are themselves images (2).
If we conceive architecture, however, in terms of > situations,
a third conception of the image must be identified in place
of the building as image, namely the situation as image. This
in turn requires a specifically architectural conception of the
image (3).
- Images on or in buildings may be paintings or sculp-
ture. Paintings on surfaces or the illusionistic treatment of
walls or ceilings may contribute to > atmosphere or to the
gesture of spatial situations, or even open up virtual spaces,
as in the Baroque era. Whether as integral components of the
architectural structure or as additions, they contribute deci-
sively as elements of a synthesis of the arts to our experience
of space alongside music and other media of presentation.
- Regarding buildings as images has been a common
practice throughout architectural history. Individual buildings
and even entire cities are legible as images: Egyptian temple
pylons as a gate to heaven, medieval church buildings with
multiple towers as the steepled heavenly Jerusalem, and the
bird-shaped TWA airport terminal as a visualization of flight
and landing. Image and symbol functions are often mixed
together. Particularly characteristic of architecture are struc-
tures whose > form character brings to unmediated > expres-
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