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> haptic qualities, movement, orientation, sensory perception
> ascent, stairs, tower, view into/out of, window
> accessibility and exclusivity, comfortableness, dwelling, in-
terior, residence, warmth and cold
> expansiveness and constriction, force field, measure, per-
sonal space
> column, complexity, expansiveness and constriction, facade,
gaze, scale
> accessibility and exclusivity arcade, facade, hall, inside and
outside, screening, residence, urban design, view into/out of
> use
> structure, territory, urban design
> centring, form character, gathering, spatial structure, square
and street, type
> form character, force field, space shadow
> ascent, stairs
As formulated by Adolf Loos, the concept of the Raumplan
deals with subdivision of architectural space in elevation. Our
bodies do not allow us to rise from the surface of the ground/
floor, but the Raumplan initiates a free play in height. Said
Loos: ‘That is the great revolution in architecture: to solve the
plan in space! Prior to Immanuel Kant, people could not yet
think in space, and architects were compelled to make a bath-
room as high as a hall. (...) And just as when they succeed in
playing chess in three dimensions, architects will also learn to
solve the plan in space.’ (Rukschcio/Schachel 1982, 31)
Loos lamented the fact that most architects persisted
in emphasizing the plan in their designs, in layering simple
> levels one above the next. In his designs, he developed a
virtuoso and differentiated play with leaps of level between
Proprioception
Prospect
Protection
Proxemics
Proximity
Public/Publicness
Purpose
Quarter
Radiality
Radiance
Ramp
Raumplan