Dowling,W.J.(1994).Melodic contour in hearing and remembering melodies.In R.Aiello
and J.A.Sloboda (Eds.) Musical Perceptions(pp.173–190).New York:Oxford University
press.
Dowling,W.J.and Harwood,D.L.(1986).Music Cognition.Orlando,FL:Academic Press.
Eimas,P.D.and Miller,J.L.(1980).Contextual effects in infant speech perception.Science
209:1140–1141.
Ekman,P.,Friesen,N.V.,and Scherer,K.R.(1976).Body movement and voice pitch in
deceptive interaction.Semiotica16:23–27.
Erting,C.J.,Prezioso,C.,and O’Grandy Hynes,M.(1990).The interactional context of
deaf mother-infant communication.In V.Volterra and C.J.Erting (Eds.) From Gesture to
Language in Hearing and Deaf Children(pp.97–106).Berlin:Springer-Verlag.
Fagot,B.I.and Leinbach,M.D.(1987).Socialization of sex roles within the family.In
D.B.Carter (Ed.) Current Conceptions of Sex Roles and Sex Typing:Theory and Research
(pp.89–100).New York:Praeger.
Farber,W.(1990).Magic at the cradle:Babylonian and Assyrian lullabies.Anthropos
85:139–148.
Fernald,A.(1985).Four-month-old infants prefer to listen to motherese.Infant Behavior
and Development8:181–195.
Fernald,A.(1989).Intonation and communicative intent in mothers’ speech to infants:Is
the melody the message? Child Development60:1497–1510.
Fernald,A.(1991).Prosody in speech to children:Prelinguistic and linguistic functions.
Annals of Child Development8:43–80.
Fernald,A.(1992).Human maternal vocalizations to infants as biologically relevant signals:
An evolutionary perspective.In J.H.Barkow,L.Cosmides,and J.Tooby (Eds.) The Adapted
Mind:Evolutionary Psychology and the Generation of Culture(pp. 391 – 428).Oxford:
Oxford University Press.
Fernald,A.(1993).Approval and disapproval:Infant responsiveness to vocal affect in famil-
iar and unfamiliar languages.Child Development64:657–674.
Fernald,A.,Taeschner,T.,Dunn,J.,Papousˇek,M.,de Boysson-Bardies,B.,and Fukui,I.
(1989).A cross-language study of prosodic modifications in mothers’ and fathers’ speech
to preverbal infants.Journal of Child Language16:477–501.
Fink,B.(1997).Neanderthal flute.http://www.webster.sk.ca/greenwich/fl-compl.htm.
Finnegan,R.H.(1977).Oral Poetry:Its Nature,Significance,and Social Context.Cambridge,
UK:Cambridge University Press.
Fonagy,I.(1981).Emotions,voice,and music.Research Aspects on Singing33:51–79.
Fonagy,I.and Magdics,K.(1963).Emotional patterns in intonation and music.Zeitschrift
für Phonetik16:293–326.
Fosburgh,L.(1974,March 6).World’s oldest song reported deciphered:Near-East origin.
New York Times,pp.1,18.
Frick,R.W.(1985).Communicating emotion:The role of prosodic features.Psychological
Bulletin97:412–429.
Grieser,D.L.and Kuhl,P.K.(1988).Maternal speech to infants in a tonal language:Support
for universal prosodic features in motherese.Developmental Psychology24:14–20.
Handel,S.(1989).Listening:An Introduction to the Perception of Auditory Events.Cam-
bridge:MIT Press.
Hulse,S.H.,Bernard,D.J.,and Braaten,R.F.(1995).Auditory discrimination of chord-
based spectral structures by European starlings (Sturnus vulgaris).Journal of Experimen-
tal Psychology:General124:409–423.
Hulse,S.H.and Page,S.C.(1988).Toward a comparative psychology of music perception.
Music Perception5:427–452.
Jones,M.R.(1982).Music as a stimulus for psychological motion.II:An expectancy model.
Psychomusicology2:1–13.
Jordan,D.S.and Shepard,R.N.(1987).Tonal schemas:Evidence obtained by probing dis-
torted scales.Perception and Psychophysics41:489–504.444 Sandra Trehub