copies the sounds of many other species,on average seventy-seven,
including those that they hear in Africa as well as in Europe.Many of
the incorporated sounds are call notes,and the major limitation to what
is copied seems to be whether the syrinx of a small bird such as a marsh
warbler can cope with the sound.The absence of deep sounds is not sur-
prising.The song may well be built up entirely by mimicry but this is
uncertain:in such a widely traveled species,some sounds included of
unknown origin may well be derived from other species that have not
been identified.
Mimicry thus enables a male marsh warbler to build up a wonderfully
elaborate song before it hears any members of its own species singing.
It might be imagined that this would lead to some confusion as far as
species identity is concerned.However,apart from the fact that many of
the birds imitated do not nest in Europe,the patterning of the song also
has a distinctive marsh warbler stamp on it.
Choruses and Duets
Communal singing is especially prevalent among humans,with groups
of people often singing or chanting in synchrony with one another (see
Merker,Richman,Nettl,and Mâche,this volume).Similar phenomena
in birds may therefore give some insight into the origins and functions
of human music;however,such similarities as exist are not particularly
close.Some birds,such as the Australian magpie (Gymnorhina tibicen;
Brown,Farabaugh,and Veltman 1988) sing in choruses,but the sounds
of different birds within the chorus have no clear and organized rela-
tions.The same is true of the dawn chorus,in which individuals of many
different species join together to produce a tremendous burst of sound
(Staicer,Spector,and Horn 1996).There is no doubt that these choruses
are partly due to the fact that animals stimulate each other into sound
production,but the sounds are not clearly synchronized with each other.
Tightly coordinated,simultaneous singing of the same song,so frequent
in human music,is not a phenomenon that appears to occur elsewhere
in nature.
Duetting is a different matter:here two birds contribute to a song,
often in a tightly coordinated fashion.Some duets have phenomenal
precision of timing.Indeed,whereas bouts may overlap,the sounds
themselves may not do so,the birds fitting their sounds together so
precisely that it is hard to believe that more than one individual is
involved.This form of duetting,in which male and female use different
notes and sing alternately,is known as antiphonal singing (Hooker and
Hooker 1969) and has been documented in a wide variety of species
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