Fendi
Kim Jones’s Fendi show took inspiration from ...
Star Wars, of course. The London-based designer had
spent Christmas reading his collection of sci-fi books.
So what do couture superheroes look like? Part gothic,
part celestial, it would seem. The collection was pure
red-carpet drama — think long and lean gowns,
draped chiffon, hand-painted images of classical
sculptures and heavy-duty baroque embellishment.
The corresponding beauty looks — slicked, wet-look
hair and crystal facial embellishments — were
equally otherworldly. Rome, the home of the Italian
powerhouse, remains a source of inspiration for Jones:
an illuminated outline of a temple hung suspended
over the catwalk as models emerged from a smoke-
filled portal to stomp the perforated steel catwalk in
heel-less platform shoes.
Valentino
Silver hair, veteran faces, hips and a hint of tummy — not
regular sights on the elitist couture circuit, but this was very
much the focus of Valentino’s show. Kristen McMenamy (57,
posing up a storm, blowing kisses in an LBD) opened what
would be the industry’s most diverse fashion show to date:
seasoned models Marie Sophie Wilson (60, below right) and
Hannelore Knuts (44) got back into the game, while “curve” girls
including Levie Hsieh and Jill Kortleve (below left) joined supers
Lara Stone and Mariacarla Boscono in a model line-up that felt
authentically representative rather than tokenistic. Despite the
somber dress code — all 65 guests were asked to wear black
— this was no old-fashioned gathering. Rather, creative director
Pierpaolo Piccioli proposed divine red-carpet-ready attire. One
particular chocolate stretch tulle dress, covered in two kilos of
Venetian glass beads, took three months to hand-embroider,
while another notable look was a white T-shirt (in silk sablé
crêpe) worn with wide-leg trousers and a pair of white trainers.
Relatable couture? We’re getting there.
VALENTINO
FENDI
VALENTINO
24 • The Sunday Times Style