Rethinking Architecture| A reader in cultural theory

(Axel Boer) #1

ACKNOWLEDGMENTS


The editor and publishers gratefully acknowledge the following for permission to
reproduce material in this book:
Academy Editions: Gianni Vattimo, ‘The End of Modernity, The End of The
Project?’, trans. David Webb.
Anyone Corporation: Fredric Jameson, ‘Is Space Political?’, in Cynthia Davidson
(ed.), Anyplace.
Architectural Association and Bernard Tschumi: Jacques Derrida, ‘Point de Folie—
maintenant l’architecture’, trans. Kate Linker.
Blackwell Publishers: Henri Lefebvre, The Production of Space (extracts), trans.
David Nicholson-Smith; Gianni Vattimo, ‘Ornament/Monument,’ The End of Modernity,
trans. Jon Snyder (UK and Commonwealth English language rights). Jean-François
Lyotard, ‘Domus and the Megalopolis’, The Inhuman, trans. Geoffrey Bennington and
Rachel Bowlby (UK and Commonwealth English language rights).
Hélène Cixous: Hélène Cixous, ‘Attacks of the Castle’, trans. Eric Prenowitz.
Columbia University Press: Fredric Jameson, ‘The Constraints of Postmodernism’
(extract), The Seeds of Time; Gilles Deleuze, ‘Postscript on the Societies of Control’.
Jacques Derrida: Jacques Derrida, ‘Architecture Where the Desire May Live’,
interview with Eva Meyer.
Duke University Press: Fredric Jameson, ‘The Cultural Logic of Late Capitalism’
(extracts), Postmodernism, or the Cultural Logic of Late Capitalism.
Farrar, Straus and Giroux: Roland Barthes, ‘The Eiffel Tower,’ The Eiffel Tower and
Other Mythologies, trans. Richard Howard.
David Frisby: Siegfried Kracauer, ‘On Employment Exchanges: The Construction of a
Space’, trans. David Frisby.
Jürgen Habermas: Jürgen Habermas, ‘Modern and Postmodern Architecture’, trans.
Helen Tsoskounglou.
Harcourt, Brace & Company: Walter Benjamin, ‘Paris, Capital of the Nineteenth
Century’, Reflections, trans. Edmund Jephcott; ‘On Some Motifs in Baudelaire’,
Illuminations, trans. Harry Zohn (this work is to be included in the forthcoming collected
works of Walter Benjamin to be published by Harvard University Press); Umberto Eco,
‘How an Exposition Exposes Itself’, Travels in Hyperreality, trans. William Weaver.
Harper Collins Publishers: Martin Heidegger, ‘Building, Dwelling, Thinking’, ‘...
Poetically Man Dwells...’, ‘The Origin of the Work of Art’ (extracts), Poetry, Language,
Thought, trans. Albert Hofstadter.
Harvard University Press: Siegfried Kracauer, ‘The Hotel Lobby’ (extract), Mass
Ornament, trans. Thomas Levin.
Paul Hegarty: Georges Bataille, ‘Architecture’, ‘Slaughterhouse’, ‘Museum’, trans.
Paul Hegarty.

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