Selected Bibliography of Major Writings
PART I MODERNISM
Theodor Adorno
The Dialectic of the Enlightenment (1947) (with Max Horkheimer), trans. John Cumming, New
York: Continuum, 1972.
Minima Moralia (1951), trans. E.F.N.Jephcott, London: Verso, 1978.
The Jargon of Authenticity (1964), trans. Knut Tarnowski, London: Routledge & Kegan Paul, 1973.
Negative Dialectics (1966), trans. E.B.Ashton, London: Routledge & Kegan Paul, 1973.
Prisms (1967), trans. Samuel and Shierry Weber, Cambridge, Mass: MIT Press, 1981.
Aesthetic Theory (1970), trans. C.Lenhardt, London: Routledge & Kegan Paul, 1984.
The Culture Industry, J.M.Bernstein (ed.), London: Routledge, 1991.
Georges Bataille
The Story of the Eye by Lord Auch (1928), trans. Joachim Neugroschal, Harmonsworth: Penguin
Books, 1982.
The Accursed Share (1949), Vol. 1, trans. Robert Hurley, New York: Zone Books, 1988.
Eroticism (1957), trans. Mary Dalwood, London and New York: Marion Boyars, 1987.
Visions of Excess: Selected Writings, 1927–1939, ed. Alan Stoekl, trans. Alan Stoekl, Carl R.Lovitt
and Donald M.Leslie, Jr, Minneapolis: University of Minnesota Press, 1985.
Theory of Religion, trans. Robert Hurley, New York: Zone Books, 1989.
Walter Benjamin
Illuminations, trans. Harry Zohn, London: Fontana, 1973.
Reflections, trans. Edmund Jephcott, New York: Schocken Books, 1978.
One-Way Street and Other Writings, trans. Edmund Jephcott, London: Verso, 1985.
Ernst Bloch
The Principle of Hope, trans. Neville Plaice, Stephen Plaice and Paul Knight, 3 vols, Oxford: Basil
Blackwell, 1981.
The Utopian Function of Art and Literature, trans. Jack Zipes and Frank Mecklenburg, Cambridge,
Mass.: MIT Press, 1988.
Siegfried Kracauer
From Caligari to Hitler, Princeton, 1947.
Theory of Film: The Redemption of Physical Reality, New York, 1960.
History, (completed by Paul Oskar Kristeller), Oxford: Oxford University Press, 1969.
Mass Ornament, trans. Thomas Levin, Cambridge, Mass.: Harvard University Press, 1995.
Georg Simmel