can Picture Show(Amsterdam: Amsterdam University Press,),Harun Far-
ocki: Working on the Sight Lines(Amsterdam: Amsterdam University Press,
).
Ina Blomis Professor at the Department of Philosophy, Classics, History of Art
and Ideas, University of Oslo. She is the author ofOn The Style Site. Art Sociality
and Media Culture,(Sternberg Press,),Joseph Beuys(Gyldendal,),The
Postal Performance of Ray Johnson(Kassel/Sittard) andThe Cut Through
Time. A Version of the Dada/Neo-Dada Repetition,(Acta Humaniora,). Her
field of research is modernism/avant-garde studies and contemporary art with
a special emphasis on media aesthetics and the relationship between art, tech-
nology, media and politics. She is currently directing the research projectThe
Archive in Motion(-) and is also a regular contributor toArtforum,
Frieze, ParkettandTexte zur Kunst.A book on Raoul Hausmann and the avant-
gardes (edited with Timothy Benson and Hanne Bergius) is forthcoming from
Les presses du réel.
Christa Blümlingeris Professor in film studies at the University Vincennes-
Saint-Denis (Paris). Among her former teaching activities, assistant professor
at the University Sorbonne Nouvelle (Paris), assistant professor and guest pro-
fessor at the Free University Berlin. Numerous curatorial and critical activities
in Vienna, Berlin and Paris. Her publications include the edition of writings of
Harun Farocki (in french) and of Serge Daney (in german) and books about
essay film, media art, avantgarde cinema and film aesthetics. Her recent publi-
cations in german include :Kino aus Zweiter Hand. Zur Ästhetik materieller An-
eignung im Film und in der Medienkunst, Berlin: Vorwerk,(about appro-
priation in cinema and media art), and in french,Théâtres de la mémoire.
Mouvement des images, co-ed. with Sylvie Lindeperg, Michèle Lagnyet alii, Paris,
Presses Sorbonne Nouvelle, « Théorème»,. In English, she published
numerous articles about film aesthetics and media art, such as“Harun Farocki,
the art of the possible”[], in Tanya Leighton (ed),Art and the Moving Image,
A Critical Reader, Tate Publishing, London,,p.-;“Remake, Ready-
Made, Reconfiguration: Film as Metahistory”, in Hans D. Christ and Iris Dress-
ler (ed),Stan Douglas, Past Imperfect, Ostfildern, Hatje Cantz,,p.-;“Lu-
mière, the Train and the Avant-Garde”in Wanda Strauven (ed.),The Cinema of
Attractions Reloaded, Amsterdam University Press,,p.-;“The ima-
ginary of the documentary image. On Chris Marker’sLevel Five”(), inImage
& Narrative, Vol,No(), http://ojs.arts.kuleuven.be/index.php/imagen-
arrative/issue/view/;“Figures of Disgust”, in Roy Grundmann (ed.),A Compa-
nion to Michael Haneke, Chichester: Wiley-Blackwell,,p.-.
236 Between Stillness and Motion