. Frederick Talbot,Moving Pictures: How They are Made and Worked(London: J.B. Lip-
pincott Co,), p.
. Hugo Munsterberg,The Photoplay: A Psychological Study(New York: Appleton and
Company,)p..
. Ibid., p..
. Ibid., p..
. Barbara and Joseph Anderson, Anderson, p..
. Ibid., p..
. Gregory, p..
. Crary, p..
. John Ayrton Paris,Philosophy in Sport Made Science in Earnest. An attempt to illustrate
the first principles of natural philosophy by the aid of popular toys and sports.London:
John Murray,, fifth edition) p.. This reference to Cartesians does not appear
in the book’s first edition. Unless otherwise noted all quotes are from this later edi-
tion, although I have also consulted the first edition as well.
. Ibid., p..
. Talbot, p..
. C.W. Ceram,Archeology of the Cinema(London: Thames and Hudson,)p..
. Talbot, p..
. Doane, pp.-.
. Doane, p..
. Laurent Mannoni,The Great Art of Light and Shadow: Archeology of the Cinema(Exeter:
University of Exeter Press,) pp.-.
. Wade, p..
. Paris, p..
. Wade, p..
. Mannoni, p.. See also Stephen Herbert,A History of Pre-Cinema(London: Rout-
ledge,) pp.-.
. Ibid., p..
. Wade, p..
. Herbert, p..
. Jacques Deslandes reproduces a drawn version, which he identifies as‘the first Phe-
nakistiscope drawn by Plateau”. Deslandes,Histoire comparitif du cinemaVol.
(Paris: Casterman,), p..
. Plateau, quoted in Wade, p..
. Paris, p..
. Herbert, pp.-.
. Crary, p..
. Theodore Adorno,In Search of Wagner(London: NLB,), pp.-.
. Doane, p..
. Herbert, p..
. Doane, p..
. Ibid., p..
. Bordwell, David and K. Thompson.Film Art: An Introduction. Ninth Edition. (New
York: Mc Graw Hill),,p..
The Play between Still and Moving Images 43