256 THEARCHITECTURE
OF HUMANISMf^
moraltastealonelayreadyformulated,itmadeth^m
do aesthetic service. The ethical fallacy was the
result. Itjudgedarchitectureas alivingthing,
byorganicprinciplestowhichit is'notsubject,and
somisreaditshistory. It judgeditasadeadconven-tion
;and then couldbrookno deviationfrom
theacademiclaw,norrealisethat thecodemightsome-timesbeunfitting. Butneithertheromanticnor
themechanicalnortheethicalnor the
evolutionarynorthe academic criticism have the courage of theirclaims,orcarrythemsofarastheymustbe
carried,ifadmitted at all. The facts of architecture were
drilled relentlessly to fit their principles
; but theprinciplesalsowerepared
tofitthefacts. Thecon-fusionofthemindisbutthegreater,butthebank-ruptcyofthe intellectualist
solution is thusinpartdisguised.
Forall thewhile anunconscious,scarceadmitted,senseoftastewasguidingthese
blindargu-ments,
and saved them fromthe ditch whither,
inlogic,theywouldsoonhaveled.It is this
purepsychologyoftaste,empirical andtentative, but self-dependent, that the
criticism ofarchitecturemostimmediately
needs:apsychologyofarchitecturalforms,
disengagedfroma
prioridograzs;
an
objectivescience,recognised,
explored,enforced.
Psychological
sciencehas,itistrue,
beenactive;butnotinarchitecture.The scienceofthelibrary
—of the laboratory,
even, where
the psychologist