ANALYTIC SUMMARY

267

PAGE

The Romantic Fallacy

mistakes the secondary and

associative

valueofarchitecturefor

aprimaryaim. 65

CHAPTER

III

NATURALISM

ANDTHEPICTURESQUE

ThecultofNatureafurtherexpressionof

theRomantic

spirit

...... 66

a.

Naturalisma.sa.poetical

\a.hie.. .66

ItseffectsonGardendesign...

.67

ontheGothicrevival... .68

ondomesticarchitecture.. .68

Naturalisminpoetryandinarchitecturecontrasted.

73

b.Naturalismasanethicalvalue..

.74

Natureas

anobjectofreverence

;

Addison,Wordsworth,

Shelley,Mill .....

75

EthicalcultofNatureinantiquity

j

its fundamentally

differentattitudetowardstheReason.. 77

IllogicalpositionofthemodernNature-cultonthispoint

;

Ruskin ......

78

Consequencesforarchitecture

:

(i)PrejudiceagainstOrder,Proportion,andConven-

tion ...... 79

(2)

Subordinationofarchitecturetosculpture. 80

c.Naturalismasan«j/^«/(Vvalue.. .81

Rise

ofthepicturesqueideal

... .81

Italianquattrocentopainting

..
.

.82

Italianarchitecturalbackgrounds.. .82

Architecturebuilt andpainted;necessarypointsofdif-

ference ...... 83

Their

psychologicalground

...

.83

TheBaroqueastheintellectualisation

ofthepicturesque

;

blendingarchitecturalandpictorial

values..

85

Baroqueartinthegardenandinthetheatre.

.

87

=J^nd

inmonumentalarchitecture..

.

87^

Romantic naturalism

and classic style not

necessarily

iiicompatibl?;Claude

Lorrain,Poussin,Piranesi. 88