Bartered Bride Overture, 121, 322.
basso ostinato, 86.
Baudelaire, 293.
Beach, Mrs.,Menuet Italien, 78, 329.
Beethoven, 2, 5, 8:
motive ofFifth Symphony, 12;
Waldstein Sonata, 15;
String Quartet (Lydian mode), 26;
fugal passages in symphonies, 41;
sentences from sonatas, 58-61;
Egmont Overture, 77;
Rondo Capriccio, 82;
sets of Variations, 88;
biography, 122-126;
love of Nature, 125;
features of style, 126-129;
development of the Sonata-form, 126-127;
treatment of the Coda, 127;
variety of rhythm, 127-128;
use of dissonances, 128;
humor, 128-129;
development of Program music, 129;
development of varied air, 129;
characterization of the Symphonies, 130-132;
estimate of the Pianoforte Sonatas, 140;
pianistic effect in Sonatas, 145;
as a programmistic composer, 153-154;
quality of themes, 156;