dramatic use of single notes, 156-157;
theme ofNinth Symphonycompared with theme from Brahms’s
First
Symphony, 247.Béla Bartok, 328.
Berlioz, quotation fromGrotesques de la Musique, 21;
canon inCarnaval RomainOverture, 37;
comment on Trio ofFifth Symphony, 150;
biography, 202-205;
names of his Parisian friends, 204;
features of style, 205-206;
Fantastic Symphony, analysis of, 207-211;
Carnaval RomainOverture, analysis of, 211-212;
Damnation of Faust, instrumental numbers from, 213-214;
Harold in ItalySymphony, analysis of, 214-215;
Romeo and JulietSymphony, comments on, 215-216.
Bie, Oscar, 74;
on the style of Couperin and Rameau, 152.
Bizet,L’Arlésienne Suites, 80.
Bohemian School, 320-321.
Boieldieu, comment on Beethoven, 134, 255.
bolero, 75.
Boris Godounoff, description of, 320.
Borodin, works and features of style, 316-317.
Boschot, work, in three parts, on Berlioz, 207.
bourrée, 75.
Brahms,First Symphony, 8, 14, 21, 44;
modal expression in works, 23;
Fourth Symphony(Phrygian mode), 25;