Music: An Art and a Language

(Ann) #1

dramatic use of single notes, 156-157;


theme ofNinth Symphonycompared with theme from Brahms’s
First


Symphony, 247.

Béla Bartok, 328.


Berlioz, quotation fromGrotesques de la Musique, 21;


canon inCarnaval RomainOverture, 37;


comment on Trio ofFifth Symphony, 150;


biography, 202-205;


names of his Parisian friends, 204;


features of style, 205-206;


Fantastic Symphony, analysis of, 207-211;


Carnaval RomainOverture, analysis of, 211-212;


Damnation of Faust, instrumental numbers from, 213-214;


Harold in ItalySymphony, analysis of, 214-215;


Romeo and JulietSymphony, comments on, 215-216.


Bie, Oscar, 74;


on the style of Couperin and Rameau, 152.


Bizet,L’Arlésienne Suites, 80.


Bohemian School, 320-321.


Boieldieu, comment on Beethoven, 134, 255.


bolero, 75.


Boris Godounoff, description of, 320.


Borodin, works and features of style, 316-317.


Boschot, work, in three parts, on Berlioz, 207.


bourrée, 75.


Brahms,First Symphony, 8, 14, 21, 44;


modal expression in works, 23;


Fourth Symphony(Phrygian mode), 25;

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