Chapter 48

D

D major Sonataof Beethoven, analysis of, 140-145.

D Minor Symphonyof Schumann, 179-184.

d’Albert,Suite for Pianoforte, 78.

Damnation of Faust, instrumental numbers from, 213-214.

Daniels, Mabel, 329.

Dannreuther, eulogy on Beethoven, 159;

comment on Berlioz’s counterpoint, 209.

Dargomijsky, use of whole-tone scale, 289.

Debussy, modal expression in works, 23, 288-289;

Pelléas et Mélisande(Dorian mode), 24;

comments upon, 294;

Minstrels(cadence in), 55-56;

Sarabandefor pianoforte, 77;

comment on development, 97;

compared with Mendelssohn, 185;

apropos of new music, 204;

features of style, 287-297;