Music: An Art and a Language

(Ann) #1

folk-songs, principle of restatement in, 16;


origin and importance of, 19-33.


Foote, Arthur, fugal Finale toSuite, 41, 329.


Forsyth, Cecil, eulogy of Mendelssohn, 185.


Francesca da Rimini, 154.


Franck,Symphony, 8, 15;


polyphonic structure, 13;


canonic style, 36;


canon inSymphony, 37;


inViolin Sonata, 37;


Fugue in B minor for Pianoforte, 41;


comparison of his scoring with that of Schumann, 181;


limitations of his pianoforte style, 190;


his fusion of movements compared with that of Brahms, 251;


biography, 256-257;


features of style, 257-258;


analysis ofD minor Symphony, 259-268;


ofSonata for Violin, 268-274;


use of generative themes, 268;


Symphonic Variations, 274-280;


comparison of his style with that of Bach and Beethoven, 274;


his group of pupils, 280.


French folk-song, 29.


French Overture, 119.


Frescobaldi, 34.


Friedländer, Max, apropos of Chabrier, 281.


fugue, 11;


definition of, 39.

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