folk-songs, principle of restatement in, 16;
origin and importance of, 19-33.
Foote, Arthur, fugal Finale toSuite, 41, 329.
Forsyth, Cecil, eulogy of Mendelssohn, 185.
Francesca da Rimini, 154.
Franck,Symphony, 8, 15;
polyphonic structure, 13;
canonic style, 36;
canon inSymphony, 37;
inViolin Sonata, 37;
Fugue in B minor for Pianoforte, 41;
comparison of his scoring with that of Schumann, 181;
limitations of his pianoforte style, 190;
his fusion of movements compared with that of Brahms, 251;
biography, 256-257;
features of style, 257-258;
analysis ofD minor Symphony, 259-268;
ofSonata for Violin, 268-274;
use of generative themes, 268;
Symphonic Variations, 274-280;
comparison of his style with that of Bach and Beethoven, 274;
his group of pupils, 280.
French folk-song, 29.
French Overture, 119.
Frescobaldi, 34.
Friedländer, Max, apropos of Chabrier, 281.
fugue, 11;
definition of, 39.