Harmonic Series, 51.
Harold in ItalySymphony, analysis of, 214-215.
Haydn, 21, 81, 87;
ancestry, 101;
features of style, 101-105;
his freedom of rhythm, 102;
development of the String-Quartet and the Orchestra, 102-103;
Sonata in E-Flat major, 105-106;
Surprise Symphony, 106-108;
comment on Minuet, 144;
Prelude to theCreation, 152.
Hazlitt, comment on Mozart, 111.
HebridesOverture of Mendelssohn, 185.
Heilman, William C., 329.
Heine, texts for songs of Schubert and Schumann, 176;
comment on Berlioz’s music, 205.
Helmholtz, 193, 291.
Henderson, W.J.,Preludes and Studies, 184.
Henschel, vocal canon, 37;
conversation with Brahms, 233.
Heroic Symphony, analysis of, 132-140.
Hérold, 255.
Hill, Edward Burlingame,Stevensoniana, 80;
comments on Saint-Saëns, 256;
essay on d’Indy, 281, 329.
Hinton, Arthur, 329.
Hoffman, E.T.A., Essay onFifth Symphony, 151.
Holberg Suite, 80.