analysis of Symphonic Poem,Orpheus, 221-222;
ofFaustSymphony, 223-226;
pianoforte compositions, 226-227;
alleged influence on Brahms, 232;
use of whole-tone scale, 289.
Locke, A.W., article inMusical Quarterly, 151.
Loeffler, Charles Martin, works and features of style, 329-330.
Lonesome Tunes, 33.
loure, 75;
example of, from Bach, 79.
Lowell, J.R., definition of a classic, 161.
Lully, 70, 119.
Lydian mode, 24.