biography, 302-303;
features of style, 303-305.
Thackeray, W.M., characterization of Berlioz, 204.
Thayer, Alexander,Life of Beethoven, 159.
thematic development, 34.
three-bar rhythm, 65-66.
three-part form, complete account of, 72-73;
examples of, 73.
Tiersot, J., on folk-melodies, 21;
Chansons Populaires, 30;
work on Berlioz, 207.
Till Eulenspiegel, 85.
Tolstoi, 315, 319, 320.
tonality, principles of, 50-51.
tonic, acoustical and harmonic importance of, 22-23.
Tragic Overture, Brahms, 233.
transformation of theme, its use in Schumann, 182.
Turgenieff, 315.
two-part form, definition of, 38;
complete account of, 69-72.