locate than other Haitian texts. I have found no collections of poetry and only extremely limited
biographical information about the poets themselves. This early poetry nonetheless contains
many of the classical allusions which later generations of Haitian poets will write against, and
the alexandrine verse, fixed forms of poetry like the epistle and the ode, and didactic tones will
still be present in various texts throughout the Romantic period.
An overview of the literature from 1806-1825 would not be complete without mentioning
the essays written by Henri Christophe’s secretary, Pompée Valentin de Vastey (1745-1820).
The son of a Frenchman and an African woman, this staunch apologist for Christophe’s regime
denounced mulatto hegemony in Haiti and condemned the internal divisions and civil wars he
traced directly to the poisonous vestiges of colonial society in French Saint-Domingue. Most
famously, Vastey authored in 1814 the first Caribbean critique of European colonialism and
defense of Haitian sovereignty entitled Le système colonial dévoilé, in which he states:
Le voilà donc connu ce secret plan d’horreur: Le système colonial, c’est la
domination des Blancs, c’est le massacre ou l’esclavage des Noirs [...] la
postérité ne croira jamais que c’est dans un siècle de lumière que les hommes
contestaient l’unité du type primitive de la race humaine uniquement pour
préserver le privilège atroce de pouvoir opprimer une partie du genre humain...^27
Vastey’s work, much of which has even been translated into English, has been examined
by several critics including Chris Bongie, who points out the ways in which Vastey offers a
comprehensive critique of colonialism as a system. Bongie argues that Vastey “was arguing in
remarkably modern terms for the necessity of ‘writing back’ against the Empire.”^28 Throughout
his essays, Vastey stresses the obligation of using the written word as a defense against ongoing
European injustices and as a vital step in national development:
(^27) Pompée Valentin Vastey, Le système colonial dévoilé (Cap Henry: Imprimerie du roi, P. Roux, 1814) 1,30.
(^28) Chris Bongie, “’Monotonies of History:’ Baron de Vastey and the Mulatto Legend of Derek Walcott’s Haitian
Trilogy,” Yale French Studies 107 (2005): 77-78.