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the least Marxism’s enduring significance for
critical geography. jm
Suggested reading
Gibson-Graham (2006b [1996]); Harvey (1999
[1982]); Henderson (1999); Smith (1990).
masculinism The tracing of connections
between cultures of masculinity, knowledge
andpower. It is located within traditions of
Western scientific rationality; in particular, the
dualisms between mind andbody,andsubject
and object, and the presumption that scientific
knowledge can and should be objective and
context free. Masculinist knowledge is criti-
cized for claiming to be exhaustive or universal,
while actually ignoring women’s existences or
casting them within a gendered binary, framed
from the perspective of men. Rose (1993) ar-
gues thatgeographyis a masculinist discipline,
and that masculinism determines conventions
of what is deemed worthy of geographical
investigation,fieldworkpractice,theoryde-
velopment, writing and representation, as well
as everyday academic life – from conduct in
seminars to job searches and promotion. She
identifies two masculinities (social scientific
and aesthetic) that frame this pervasive mas-
culinism within the academicgeographical
imagination.(Seealsoepistemology;
feminist geographies; phallocentrism;
post-structuralism.) gp
material culture Relationships between
people and things, or, more formally put, the
expression and negotiation of cultural, polit-
ical and economic relationships via the mater-
ial world of objects. Appadurai’s (1986) noted
text in this area supplies a further shorthand
definition:The social life of things. Culture has
often been conceived as an immaterial and
disembodied entity, composed of ideas, cus-
toms, knowledges and shared beliefs and val-
ues. One task for material culture studies –
today an interdisciplinary venture, bringing
together researchers fromhuman geography,
archaeology, anthropology, sociology and cul-
tural and social theory – has been to examine
how cultural beliefs and values gain perman-
ence,powerand significance through being
given material form and expression in build-
ings, artefacts, commodities, visual symbols,
displays, rituals and so on. Beyond this, how-
ever, writers in this area have also increasingly
been concerned to think through the inherent
materiality ofcultureitself. This has involved
attending to the question of how cultural val-
ues are materially produced and circulated. It
has further involved rethinking the categories
of ‘culture’ and ‘materiality’ themselves.
The origins of material culture studies are
complex. Traditionally, archaeology and an-
thropology have been the disciplines most
clearly associated with the study of material
forms of culture. Archaeology takes a realm
of recovered material objects as the basis from
which it seeks to reconstruct past cultures.
Equally, anthropology places emphasis upon
the importance of material forms and processes
- objects, clothes, buildings – in the formation
and communication of distinctive cultures and
subcultures. However, contemporary material
culture studies also draws inspiration from
semiotic and interpretative analyses of the sig-
nificance of particular commodity forms under
capitalism. In such analyses (e.g. Roland
Barthes’ 1957 Mythologies), cultural objects
such as cars, wine and washing powders are
understood as texts which are authored (or
produced) and read (consumed) in various
ways, and this is viewed as a process in which
particularhegemonicorideologicalcultural
meanings are communicated and reproduced.
The study ofcommoditiesand their use
and consumption has continued to be a main-
stay of material culture studies (e.g. Miller,
1997), and this has further been one of the
most important ways in which human geog-
raphers have contributed to and interacted
with this field (e.g. Jackson, 1999). Over the
past ten years, studies of the materiality of
cultures and commodities have indeed flour-
ished in human geography. In part, this has
been framed in terms of an agenda seeking to
‘re-materialize’ human geographies (Jackson,
2000), in the wake of acultural turnwhich,
it is argued, placed undue emphasis upon the
determining rolevis-a`-viscultural practice of
imaginative geographies of texts and
images. This renewed geographicalempiri-
cismtakes shape through studies ‘following’
material objects within circuits ofcapitaland
commodity chains(e.g. Cook, 2004), and
through studies focused upon the physical
materialities of particular spaces and practices.
At the same time, work drawing inspiration
fromactor-network theoryand new vital-
isms has aimed to overcome a traditional dual-
ity in which matter is viewed as dead and
inanimate, and can only be given meaning
and form via the conduits of human thought
and discourse. Writing in this area (e.g.
Anderson and Tolia-Kelly, 2004) has been
explicitly concerned to rethink theepistemo-
logicalstatus of material objects, and has
sought to develop languages and methods
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MASCULINISM