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collective memories are made material in
the landscape, and the practices of memory-
making through performances and rituals of
remembrance. There is also a substantial
literature onheritageentrepreneurship as a
marketable good (see alsopostmodernism).
Maurice Halbwachs’ book On collective
memory(1992 [1941]) was an important early
text theorizing memory as simultaneously
social and spatial (as opposed to highly indi-
vidualized and purely psychological) (Hebbert,
2005). Activities enhancing remembrance of
a collective past, including commemorative
rituals, story-telling, place naming and the
accumulation and display of relics, trigger a
social memorythat solidifies a common shared
identity. Halbwachs emphasized the import-
ance of anchoring these memories in spatial
imagery and physical artefacts, arguing that
social memory endures best when there is a
‘double focus – a physical object, a material
reality such as a statue. .. and also a symbol,
or something of spiritual significance, some-
thing shared by the group that adheres to and
is superimposed upon this physical reality’
(1992 [1941], p. 204).
This focus on the social constitution and
context of memory informed French historian
Pierre Nora’s (1997) influential project, which
traced the development of French national
identitythrough the analysis of a variety of
‘lieux de me ́moires’, or sites of memory (see also
nationalism). Nora (1989, p. 9) argued that
with the demise ofpeasant societies, ‘true
memory’, available ‘in gestures and habits, in
skills passed down by unspoken traditions, in
the body’s inherent self-knowledge, in unstud-
ied reflexes and ingrained memories’, has been
replaced by ‘modern memory’ that is self-
conscious, historical and archival. In modern
society, we ‘must deliberately create archives,
maintain anniversaries, organize celebrations
because such activities no longer naturally
occur’ (1989, p. 12). In short, the primordial
memory of peasant societies embedded in
milieux de me ́moires(environments of memory)
has been substituted by much more self-
consciously created lieux de me ́moires. The
production of theselieux, or sites, has been a
result of the transformations wrought by
modernity, including globalization, the
rise of massmediaand the institutionalization
of a professional discipline of history. While
Nora’s distinction between true and modern
memory may be overwrought, in the 1980s his
work spawned widespread interest in memory
and place throughout thehumanities and
social sciences, and it continues to provide
the impetus for a vast array of studies of dif-
ferent types of memory spaces (Legg, 2005).
The dominance of the nation-state in
framing memory has been the focus of much
research on monuments and memorials.
Because memory is always shadowed by for-
getting, is vulnerable to manipulation and has
a capacity to facilitate (or coerce) social cohe-
sion, what is remembered and forgotten in
national memory both reflectspowerrelations
and is of political consequence. Elite and
dominant memory is typically mobilized by
the powerful in the cultivation of a national
imaginary, through monuments, memorials,
public ritual, architectural and urban design,
and through the erasure of previous place
names or settlements of the dispossessed.
However, human geographers have regularly
noted the contested nature of meaning sur-
rounding even official symbolic sites, and the
production and consumption of such sites
often involve conflict (Till, 2001, 2005;
Foote, 2003). They are neither uniformly
designednor read(andspaceis significant in
the construction of that meaning; Johnson,
2005). Nor do elites inevitably have a hold
onlandscapeproduction. Burk (forthcom-
ing) describes the creation by grassroots
groups in Vancouver of monuments to me-
morializeviolenceagainst women. Recogniz-
ing the ‘power of place’ to repair cultural
amnesia and nurture a more inclusive public
memory, Hayden (1997) details a series of
commemorative projects that concretize long
histories of settlement of African American,
Latina and Asian American families in down-
town Los Angeles. Alderman (2003, p. 171)
has examined how African Americans strug-
gled to control and determine the scale of
streets in which Martin Luther King Jr.
would be remembered and thus thescaleat
which his memory would find public expres-
sion. He notes that the scale of memory was
‘open to redefinition not only by opponents to
his political/social philosophy but also people
who unquestionably embraced and benefited
from this philosophy’.
Memory cannot be dictated, and popular
memory can be an important vehicle through
which dominant, official renditions of the past
and present are resisted by mobilizing groups
to create subaltern and counter-memories,
and alternative futures (Legg, 2005). Shared
memories of loss and longing for land may
form the basis for collective claims to rights
or reparation: Kosek (2004) argues that
shared memories of dispossession from land
by Mexicans living in northern New Mexico
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MEMORY