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Pred, 1985; Harris, 1991). For, as Hannah
(2006a, p. 243) put it, ‘neither term of the
structure-agency duality is of much analytical
use in the unmarked, abstract, universal form’:
The important thing about subjects striving
to make lives and worlds is not the abstract
philosophical principle according to which
we are all competent actors always able to
do otherwise, but the concrete, positioned
and marked performances through which
we (re)produce or transform specific social
meanings. And the important thing about
the structures that prevent differently positi-
oned subjects from doing or being just any-
thing we want is not their general presence
and effectivity in everysocial formation
but their specific characteristics as contested
and contestable social constructions, often
originating with dominant social groups.
The central term that most human geog-
raphers derived from Giddens’ project was
that ofpractice, at once situated and embodied,
and this continues to inform much research in
the field. But the concept has been extended
through ideas ofperformanceand the incorp-
oration ofaffectto such a degree that most
human geographers have travelled a consid-
erable distance from the formal corpus of
structuration theory (see, for example,non-
representational theory). In fact, it was
always more of a ‘sensitizing device’ than a
research programme, providing a high-level
view of different positions within modern
social theory – a sort of panoramic mapping –
rather than a hierarchy of concepts that could
inform ground-level studies. Giddens’ work is
now valued less for its abstract formulations
than for its substantive identification of two
issues that continue to haunt the world in the
early twenty-first century. His early insistence
on the significance of politicalviolencefor
the conduct of political and social life was
remarkably prescient (Giddens, 1985: see also
war), while discussions ofglobalizationand
the prospects for social democracy continue to
be informed, at least in part, by his argumen-
tation sketches of the contours of what he
called ‘high’modernity(Giddens, 1990).dg
Suggested reading
Gregory (1994); Gregson (2005).
subaltern studies A body of historiography
initiated in the late 1970s by Indian and English
historians critical of ‘colonialist and bourgeois-
nationalist e ́litism’ in the writing of Indian
history, specifically from the Cambridge
School (Guha and Spivak, 1988). Under
Ranajit Guha’s founding editorship, the editor-
ial collective included Shahid Amin, David
Arnold, Partha Chatterjee, David Hardiman
and Gyanendra Pandey, later expanding with
Gautam Bhadra, Dipesh Chakrabarty and
Sumit Sarkar, all of whom had written import-
ant monographs. The first edited volume,
Subaltern studies: writings on Indian history and
society, was published in 1982. The collective
drew on British social history and its renovation
of Antonio Gramsci, from whom the concept
‘subaltern’ was adapted.
The timing of this critique of Indian
nationalism(particularly Marxist national-
ism) – after the suppression of the Naxalbari
peasant insurgency and its ‘Maoist’ urban
allies, and after Indira Gandhi’s 1975–7 dicta-
torial emergency – is crucial. The first volumes
the collective produced exploredpeasants’
conscious agency and autonomous subaltern
politics (which Cambridge historians had
ignored in their emphasis on vertical ‘factions’
in Indian nationalism), a comment on the
bankruptcy of institutionalized Indianmarx-
ism. From rumour and militancy under the
paternalist mantle of Gandhianism to mis-
matches between elite and subaltern notions
of political community to the disruptive effects
of mill workers’ religiosity on industrial discip-
line, the first four volumes ofSubaltern Studies
energized debate within Indian history on
class, subaltern/elite boundaries and popular
politics (Ludden, 2002).
By the late 1980s, shifts between insiders
and outsiders in the collective moved subal-
tern studies into a second phase of historiog-
raphy, concerned less with a sphere of
subaltern politics than with the construction
of subalternpower/knowledge and critique of
‘theenlightenmentProject’. While one for-
mer insider, Sumit Sarkar, bemoaned ‘the
decline of the subaltern inSubaltern Studies’,
others saw it as serious response to outsider
critiques of ‘subaltern autonomy’, as well as an
exploration beyond Gramsci to Michel
Foucault’s conception of thesubjectof power,
and to Jacques Derrida’s deconstruction
(see Chaturvedi, 2000).
These intellectual shifts, combined with the
edited collection by Guha and Spivak (1988),
brought subaltern studies to a US – and hence
global – academic audience; Edward Said’s
introduction to the collection ushered its
arrival as the most prolific strand of post-
colonial thought. Volumes to follow heigh-
tened critique from insiders and outsiders on
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SUBALTERN STUDIES